xyz資訊工坊

xyz 軟體補給站

  商品編號: DVDXX14480
  商品名稱: MAGIX Vandal 1.112-虛擬吉他貝司音頻插件
  語系版本:
  運行平台:
  更新日期:
  光碟片數: 1片
  銷售價格: $100元
  熱門標籤:
您可能感興趣:
您可能也喜歡:
DVDXX17179--C4DZone Plug-ins Complete Collection for Cinema 4D C4D插件合集包
BD2517180--Adam Monroe Music Mark 73 Electric Piano v1.4 (AAX AU VST) WIN/OSX-DECiBEL(藍光) 電鋼琴音色
DVDXX17207--Album DS 11.5.0 x64 Multilingual 一款完整的Photoshop相冊設計插件
DVDXX17218--Native Instruments Freak 1.0.1 x64 NI效果器包
DVDXX17245--Quantifier Pro 1.0.6 for Sketchup 2019 SketchUp模型算量插件
MAGIX Vandal 1.112-虛擬吉他貝司音頻插件
 MAGIX Vandal是款簡單實用的虛擬貝司放大插件。它可以加強電腦中貝司的音效,讓貝司的音色變得更加清亮,滿足用戶的創作需求,有喜歡的用戶不要錯過了。

【軟件特色】
  1、個性風格:Vandal為虛擬吉他和低音放大器帶來的不僅僅是新的設計和操作理念; 借鑑經典吉他陣容,插件信號通過單塊效果器,放大器,揚聲器,麥克風以及任何可能的回聲/混響效果,在這種情況下,每種類型的乾淨,緊縮,高增益和引線音調都會被塑造使用獨特的通用模擬放大器。與使用脈衝響應的仿真相比,單獨的播放方法和吉他具有與真實電子管放大器相同的重要性。
  2、自定義放大:想要結合不同放大器的組件並自行定製細節嗎?想要構建自己的自定義放大器或構建一個知名模型的副本?使用Vandal,很容易!Vandal基於放大器和音箱的可變概念。這使用戶可以單獨調整聲音,並根據他們的想法進行更改和操作。當然,該節目還包括由經驗豐富的音樂家和製作人編制的各種預設,為用戶提供了一個良好的開端,並允許他們快速獲得夢幻般的結果。
  3、兩個世界,一個軟件:一個真正的低音和吉他放大器在一個盒子裡 - 甚至可能嗎?答案是肯定的 - 並且質量一流!即使是第一次啟動Vandal,您也可以選擇兩种放大器型號。吉他和貝司放大器非常靈活,可以適應任何音樂家的個性化需求。無論是低音還是吉他,與Vandal一起,你將獲得兩全其美!
  4、在工作室和現場:如果你想搖滾,你必須能夠依靠你的放大器!無輟學,無延遲,無內部信號延遲和最高的運行可靠性。憑藉其可靠的引擎,一流的音質和靈活的MIDI功能,Vandal是長時間工作室,排練和現場演出的理想伴侶。
  5、效果和單塊效果器:現實世界已經製作了許多受吉他手和貝司手歡迎的“單塊效果器”設備。我們還在Vandal中加入了豐富的調色板。我們研究了真實的靈感模型,但也讓自己受到我們自己關於聲音的想法的指導,設計出全新的模型。在放大器“通常”附加到信號鏈末端之前並不總是聽起來好的失真效應。這就是為什麼我們在信號路徑的末端集成了一個額外的綜合效果機架。

MAGIX Vandal v1.X |

Vandal is the only guitar and bass amplifier that combines the characteristic sound and feel of a real hardware setup with the advantages of a software application – all for you to enjoy on your computer! Every step and component of the amplifier, from the tube to the speaker coils, is virtualized. Physical modeling technology guarantees great sound without compromise, whether during studio recording sessions, band rehearsals, or live gigs! The intuitive program interface is based on workflows that are optimized for guitar and bass players who are familiar with these kinds of work processes from working with hardware.

Individual style
Vandal brings more than just a new design and operation concept to virtual guitar and bass amplifiers; borrowing from classic guitar lineups, the plug-in signal goes through the stomp box, amplifier, speaker, microphone, and any possible echo/reverb effects, in which case every kind of clean, crunch, hi-gain, and lead tone is shaped using a unique, universally emulated amp. In contrast to emulations which use impulse response, individual play methods and guitars receive the same significance as real tube amplifiers.

Custom amplification
Want to combine components from different amplifiers and customize details yourself? Want to build your own custom amp or build a copy of a well-known model? With Vandal, it's easy! Vandal is based on a variable concept for amps and cabinets. This lets users adjust sound individually and change and manipulate it according to their ideas. Of course, the program also includes various presets compiled by experienced musicians and producers, giving users a head start and allowing them to obtain fantastic results quickly.

Two worlds, one software
A real bass and guitar amp in a single box – is that even possible? The answer is yes – and in top quality! Even when starting Vandal for the first time, you can choose between two amplifier models. The guitar and bass amps are extremely flexible and can be adapted to the individual needs of any musician. Whether bass or guitar, with Vandal you'll get the best of both worlds!

In the studio and live
If you want to rock, you've got to be able to count on your amp! No drop-outs, no latency, no internal signal delays and the highest possible operational reliability. With its reliable engine, first-class sound quality and flexible MIDI functions, Vandal is the ideal companion for long studio sessions, rehearsals, and live gigs.

Effects & stomp boxes
The real world has produced many of the "stomp box" devices popular with guitarists and bassists. We've also included a rich palette in Vandal. We researched real models for inspiration, but also let ourselves be guided by our own ideas about sound, designing completely new models. Distortion effects that don't always sound good "before" the amp are usually attached to the end of the signal chain. That's why we integrated an additional, comprehensive effects rack at the end of the signal path.